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Centre Beaubourg : ウィキペディア英語版
Centre Georges Pompidou

Centre Georges Pompidou ((:sɑ̃tʁ ʒɔʁʒ pɔ̃pidu); commonly shortened to Centre Pompidou; also known as the Pompidou Centre in English) is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers and Renzo Piano, along with Gianfranco Franchini.
It houses the Bibliothèque publique d'information (Public Information Library), a vast public library, the Musée National d'Art Moderne, which is the largest museum for modern art in Europe, and IRCAM, a centre for music and acoustic research. Because of its location, the Centre is known locally as Beaubourg ().〔(Serge Lasvignes, un nouvel énarque à la tête de Beaubourg ), la-croix.com, 4 March 15〕〔(Pompidou : Serge Lasvignes s'explique, Fleur Pellerin assume ), lefigaro.fr, 5 March 2015〕〔Roberto Rossellini, ''Beaubourg, centre d'art et de culture'', 1977 au cinéma〕 It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing. , the Centre Pompidou has had over 180 million visitors since 1977 and more than 5,209,678 visitors in 2013,〔Since 2006, the calculated attendance of the centre includes only those of the Musée National d'Art Moderne and of the public library but no more those of the ''panorama'' tickets or cinemas, festivals, lectures, bookshops, workshops, restaurants, etc: 929,431 visitors in 2004 or 928,380 in 2006, which should bring the actual total attendance of the centre to more than 6 million〕 including 3,746,899 for the museum.
The sculpture, ''Horizontal'' by Alexander Calder, a free-standing mobile that is twenty-five feet high (7.6m), was placed in 2012 in front of the Centre Pompidou.
==History==
The idea for a multicultural complex, bringing together in one place different forms of art and literature, developed, in part, from the ideas of France's first Minister of Cultural Affairs, André Malraux, a western proponent of the decentralization of art and culture by impulse of the political power.〔Citation needed〕 In the 1960s, city planners decided to move the foodmarkets of Les Halles, historically significant structures long prized by Parisians, with the idea that some of the cultural institutes be built in the former market area. Hoping to renew the idea of Paris as a leading city of culture and art, it was proposed to move the Musée d'Art Moderne to this new location. Paris also needed a large, free public library, as one did not exist at this time. At first the debate concerned Les Halles, but as the controversy settled, in 1968, President Charles de Gaulle announced the Plateau Beaubourg as the new site for the library. A year later in 1969, the new president adopted the Beaubourg project and decided it to be the location of both the new library and a centre for the contemporary arts. In the process of developing the project, the IRCAM (Institut de Recherche et Coordination Acoustique/Musique) was also housed in the complex.
By the mid-1980s, the Centre Pompidou was becoming the victim of its huge and unexpected popularity, its many activities, and a complex administrative structure. When Dominique Bozo returned to the Centre in 1981 as Director of the Musée National d'Art Moderne, he re-installed the museum, bringing out the full range of its collections and displayed the many major acquisitions that had been made.〔John Russell (April 29, 1993), (Dominique Bozo, 58, Expert on Picasso, Is Dead ) ''New York Times''〕 By 1992, the Centre de Création Industrielle was incorporated into the Centre Pompidou.
Since reopening in 2000 after a three-year renovation, the Centre Pompidou has improved the logistics of a visit. Visitors can only access the escalators if they pay to enter the museum.〔Farah Nayeri (November 2, 2006), (Paris's Pompidou, 30 Next Year, Courts the Young, Branches Out ) ''Bloomberg''〕

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